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The founder of the Eden Project has added another Cornish beauty spot to his portfolio after purchasing a picturesque port seen in several period dramas.
Sir Tim Smit has bought Charlestown, a 23-acre Georgian harbour near the town of St Austell. The village is loved by television and film directors, having been used as a backdrop in the BBC series Poldark, Dr Who, the Tom Hardy series Taboo and Tim Burton’s Alice in Wonderland.
He talked about his plans for his recently acquired Shipwreck Centre at Charlestown https://www.shipwreckcharlestown.co.uk/

Crispin Sadler has been running Mallinson Sadler Productions since 2002. A zoology graduate from Edinburgh University he got a taste for diving and all matters underwater when he joined Plymouth Sound BSAC in 1985. Now with over forty years of experience in TV he has put this to good use with the series ‘Drain the Oceans’. With over 70 shows and five series already delivered ‘Drain the Oceans’ holds pride of place in the schedules of National Geographic Channel around the world. Based on the simple premise of using data to recreate scenes in CGI from under the water as if that water had been ‘drained’ away, the series brings to the audience the mysterious world underwater that previously was invisible due to depth, visibility and lighting conditions.
In addition to ‘Drain the Oceans’ Crispin has written, directed and executive produced documentaries in the field maritime archaeology and naval history including 2 series of ‘Deep Wreck Mysteries’ which ran on multiple channels across the world (Nat Geo/History Channel/ZDF/ITV/ABC) and he has also made landmark documentaries on the subject of the anniversary of the Battle of Jutland for Channel 4 as well as shows for the BBC’s world-famous Natural History Unit, including War Wrecks of the Coral Seas. Recently he was behinda new 10-part shipwreck series ‘Ocean Wreck Investigation’ for Nat Geo International, Discovery Science, Channel 4 and Welt.
Since ‘Drain the Oceans’ started back in 2010 the series has collected 6 golds at the New York Film Festival and, in 2016, Crispin was recognised for his lifetime achievement in the world of maritime and naval documentaries with the Maritime Fellowship Award at the Maritime Media Awards. And in 2022 a show from ‘Drain the Oceans’, one that addressed the eternal conflict between maritime archaeologists and treasure hunters, was nominated for a BAFTA.
They were among the first wrecks which were discovered when scuba diving underwater exploration started in the early 1960s. The large-scale discovery of shipwrecks marked the birth of maritime archaeology. In the early days of maritime archaeology, the focus was on excavation methodology and the physical properties of shipwrecks. Gradually while more finds became available the research attention shifted to understanding the meaning of their material remains as sources about our maritime past. And as more material has been studied we see the wider story.
VOC ships are to be considered essential multifunctional tools in the power and commercial policy of the VOC in the European-Asian monopoly trade. As wrecks on the seabed, they represent rich material complexes consisting of tens of thousands of different artefacts. Initially, the focus in their research was on identifying the functional meaning of the finds and the historical ship. Archaeology of VOC ships yielded new data on the material and technological properties of equipment, shipbuilding, warfare on the sea, maritime trade or practical daily life themes, like the packaging of food and trade goods, which are merely historically known. In the next stage, integrated historical archaeological research makes it possible to interpret the archaeological finds within the wider historical socio-economic context of the city or society the ship originated from.
Research on VOC wrecks in the last 50 shows how tangible remains together with archival data can produce a rich array of stories on the daily-life functioning of VOC ships and above all about the identities of the historical persons who produced, supplied or used the ship. In this paper some stories will be presented on shipwreck finds and the people behind them to illustrate the wide range of topics on early modern shipping and Dutch and global society that lie hidden within VOC wrecks.